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Many of the large paintings in this exhibition are drawn from Steir’s Waterfall series, which she began producing in the 80s and continues to work on to this day.
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Simple enough at first glance, these paintings reward close observation: secondary colours emerge in the chaos, cracks reveal layers beneath, near-transparent layers of oil paint glint in the changing light.
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As Steir told Interview magazine, this is more than chaos for its own sake: “I give up control, and that’s the spiritual aspect of the work – taking what comes and relinquishing control.” In her Waterfall paintings, Steir limits herself to controlling a few key variables: colour, pressure, the length of her lines, and the viscosity of the turpentine and oil paint mix.